Apogee AD-500 Specifications

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Page 1 - AADD--11000000

AADD--11000000Portable Reference Analog to DigitalConversion SystemOperating Manual andUV22®License AgreementRevision 2.1: November 1996

Page 2

AD-1000 Operating ManualTable of ContentsPower Connector Pinout Diagrams...

Page 3 - A/D Converter

IntroductionThe AD-1000 is a multi-purpose stereo analog to digital converter combining a high quality dual-stage, tripleservo, analog ‘front end’ wit

Page 4 - A Note of Thanks

Soft Limit™Included with the AD-1000 is Apogee’s highly acclaimed Soft Limit circuitry. (This feature has functioned as manyan engineer’s “secret weap

Page 5 - Notes on CE Operation

Apogee Patented Low Jitter ClockThe C768 Ultra Low Jitter Slaving Clock references to an external clock source and provides a ‘flywheel’ effectby smoo

Page 6 - OWNER’S RECORD

SpecificationsQUANTIZATION 20 Bits/SampleFREQUENCY RESPONSE 20Hz–10KHz ±0.025dB10KHz–20KHz +0.025 / –0.1dBTOTAL HARMONIC DISTORTIONPLUS NOISE (THD+N)F

Page 7 - Service Information

Note: The AD-1000 will work with any well regulated 12V DC Power source with an output current of 1300 mAor greater. We recommend using linear type p

Page 8

S/PDIF DIGITAL OPTICAL INPUT (Optical input connector on rear panel)32kHz to 54kHz Input Sampling Rates.S/PDIF.ADAT DIGITAL OPTICAL INPUT – available

Page 9

Optional AccessoriesPS-1000EModel PS-1000E is a rack mountable dual worldwide power source for the AD-1000 with selectable 100, 120,220, and 240 Volts

Page 10 - Table of Contents

AD-1000 Operating ManualUnpacking and InstallationUnpackingYour AD-1000 is packed in a foam lined shipping container. Be sure to save the container fo

Page 11 - Introduction

Getting Started QuicklyYour AD-1000 is shipped ready to go. It has spent at least two days ‘burning in’. This burn-in procedure involvespowered operat

Page 12

Manual revised for this new edition by:Danny Buchanan, Caryn Perkins, Richard Elen, Johnny Story, Ryan Freeland and Bob Clearmountain.SoftLimit is a T

Page 13

AD-1000 Operating ManualPage 20OperationLocations and Functions: Front Panel ControlsThe AD-1000 offers an input section that can receive a wide varie

Page 14 - A A D B E

OSC PositionOSC selects a built in 1kHz digital oscillator calibrated to ± 0.01 dB with internal switch selectable output lev-els for accurate headroo

Page 15

Selecting the DIG PositionThe last position counter-clockwise is the DIG position. When selected, an AES or S/PDIF signal (input via thetop BNC connec

Page 16 - OPTIONAL DIGITAL OUTPUTS

Soft Limit™ FunctionEvolved from the legendary AD500E, this unique Apogee feature makes your mixes jump out in the highly com-petitive market for CD a

Page 17 - Optional Accessories

6. Turn on Soft Limit.7. Increase the oscillator output until the desk’s stereo meter reads 0 VU. (Don’t touch the console fader at thispoint.)8. Flip

Page 18 - Unpacking and Installation

In 16 position: the signal is converted at 20 bits but is reduced to a 16 bit output by adding dither toremove the distortion of truncation. In UV16 p

Page 19 - Getting Started Quickly

Pull-Up and Pull-Down SyncTwo other positions of the SAMPLE RATE Selector provide the unique ability to increase or decrease the inputsampling rate by

Page 20 - Operation

The SAMPLE RATE Selector should be in the 6 o’clock – straight down – position. In this sync source mode, theAD-1000 normally outputs the same frequen

Page 21 - Metering

AD-1000 Operating ManualLocking to an NTSC Video Sync SourceConnect the video reference to one of the BNC connectors on the rear panel. Termination is

Page 22 - To Input Digital Audio:

AD-1000 Operating ManualS/PDIF (Sony/Philips Digital Interface) – Consumer digital interfaceStandardized as the CP-340 digital audio interface by the

Page 23 - Soft Limit™ Function

The Apogee AD-100020 bit ResolutionA/D Converter“Your first class ticket from analog to digital!”AD-1000 Operating Manual

Page 24 - Phantom Power

Rear Panel Functions and LocationsAnalog Audio InputsViewing the rear panel of the AD-1000, the female XLR connector on the left is the left (or Chann

Page 25 - Timing and the AD-1000

Advanced OperationsThe DIP Switches – Location and FunctionThere are eight small switches located on the top of the unit that are accessible with a sm

Page 26 - S/PDIF Sync Input

Technical Input InformationInput ImpedanceThe AD-1000 is set up to easily match and interface to most any analog audio input. The AD-1000 input assume

Page 27 - Video Levels

Precise Calibration using One LEDWhen you need to make a mix from your analog mixing console, it is necessary to calibrate your AD-1000 tothe output o

Page 28

AD-1000 Operating ManualDigital Headroom ExplainedPage 34'-12' dB LED Blinks-2/SL dB LED ON*0 dB Full Scale ANALOG NOMINALTYPICALLY 0dB MA

Page 29

Options and EnhancementsAD1000 UV22 Digital Through OptionThe UV22 digital through option gives the AD-1000 the ability to process digital input signa

Page 30

General notes on ADAT RecordingThe AD-1000 has the ability to output the ADAT digital format (on Toslink Optical) allowing you to bypass theA/D conver

Page 31 - Advanced Operations

However, many people have come to depend on the superior audio quality of using UV22 to record their 16-bittracks, and report no significant audio dam

Page 32 - Ground Lift Switch

Recording with the BRC as the master (AD-1000 as the slave)1. Connect the output from your console or microphone to the AD-1000 XLR input connectors.

Page 33 - Headroom

AD-1000 Operating ManualPage 39ADATDigital InSync 9-pin D“Digital In”ADATDigital InSync 9-pin D“Digital In”ADATDigital InSync 9-pin D“Digital In”BRC48

Page 34 - Digital Headroom Explained

A Note of ThanksAt Apogee we believe creating new products which really mean something requires puttinga lot of one’s self into that product. Apogee’s

Page 35 - Options and Enhancements

RecordingTo record a true 20 bit signal onto an ADAT recorder (which is a 16-bit recorder) the following steps must betaken:1. Connect optical cable f

Page 36

Special notes and restrictions:1. ADAT format cannot be transmitted while the AD-1000 is set to digital input “DIG.”2. ADAT format cannot be transmitt

Page 37

Recording On To the DA-88 From an AD-1000 Using Video Sync1. Connect the output of your console or microphones to theAD-1000 XLR input connectors.2. S

Page 38 - ADAT w/BRC – BRC as Master

S/PDIF and Word Clock (WC) Output OperationThe S/PDIF and Word Clock (WC) outputs are available on the 15-pin HD connector on the rear of the AD-1000(

Page 39 - ADAT w/VIDEO SYNC

AD-1000 Operating ManualPage 44AD-1000 HD15 connector (J1) pin numberingviewed looking into the connector on theunit from the outside (numbers are as

Page 40

AD-1000 Operating ManualPage 45AD-1000 HD15 connector (J1) pin numberingviewed looking into the connector on theunit from the outside (numbers are as

Page 41

Appendix I – UV22 Super CD EncodingSqueezing more performance from a standard CD is not a new idea. It began with adding white noise, calleddither, to

Page 42 - AD-1000 – FC-8 – DA-88

Something For Nothing?If we take a well-recorded 16-bit digital audio source and we decide to add some digital EQ, compression, gainchange, de-click,

Page 43 - Battery Operation

“Listening tests have shown the Apogee UV22’s 16-bit output is the closest to what we hear on our 20-bitsource. It’s really like getting something for

Page 44 - AD-1000 Operating Manual

“UV22 rounds out the rough edges of digital”—Stephen Marcussen, Precision Mastering, Hollywood“[The Apogee UV22] rounds out the rough edges of digital

Page 45

Notes on CE OperationIn order to comply with the new (January 1996) requirements for electronic equipment operated in theEuropean Union, Apogee conver

Page 46 - What Are We Comparing?

Appendix II – Digital Audio InterconnectsDigital Audio Without Making Your Eyes Glaze OverYou’ve probably read, or at least started to read many artic

Page 47

The numbers of digital audio are transmitted in binary form. Instead of using our familiar ten-finger-orienteddecimal numbers, we substitute one-finge

Page 48

rate tempo and add faster multiples many times higher than the drummers sixteenth-note example. Now imag-ine what would happen to the drummer’s playin

Page 49 - UV22 Process Caveats

Mitsubishi (Melco) PD InterfaceThe Mitsubishi 2-track and multitrack interconnect formats are similar to the Sony SDIF format – but not enoughfor dire

Page 50 - Digital Audio Interconnects

on a twisted pair of wires enclosed in an outer metal shield. The shield is usually a continuous, flexible braidedwire jacket or in applications where

Page 51 - It’s All In The Timing

AD-1000 Operating ManualPage 55Revision HistoryManual RevisionRev 0.1 1/27/95Rev 0.2 6/8/95Installed New Graphic ElementsRev 0.3 6/19/95Added changes

Page 52

Licensing and Legal InformationCarefully read the following legal agreement prior to using the UV22 process provided in the AD-1000.Use of UV22 consti

Page 53

Warranty InformationBe sure to return the enclosed warranty card. If you do so, Apogee can contact you withany update information. As enhancements and

Page 54

THIS PAGE INTENTIONALLY LEFT BLANKAD-1000 Operating Manual

Page 55 - Revision History

AD-1000 Operating ManualTable of ContentsAn Introduction to the AD-1000 ....................

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